Self-Editing Your Own Writing

Self-Editing Your Own Writing

The goal of any writer, editor, or otherwise is to have their work read as quickly and effortlessly by readers. It’s important that you’re able to hit those high notes because if not then people will simply stop reading! But don’t worry there are lots of ways to self-edit your own writing (so even when an editor isn’t available), they can still enjoy what was written without feeling too frustrated with how difficult it might’ve been understood due in large part thanks to all these tips below:

https://pixabay.com/

Paper over screen

You can find spelling mistakes, sentence fragments, and run-ons more easily when reading your words on the printed page because they are easier to spot than trying to track them down against a bright computer screen; you might even want to change up some formatting if that helps give an alternative perspective of what’s happening in each paragraph.

Do you hear yourself?

As a writer, you want to make sure that what comes out sounds witty and intelligent. But how do we know if our writing actually does either? The best way for me as an author was when I heard myself talk back in real-time while editing. Listening to how your writing sounds can also help you listen for lines that don’t sound right, like characterless sentences or overuse of particular phrases. Sometimes a writer doesn’t realize their sentence structure is poor until they hear it read aloud.

Edit each line

When you’re editing your own work, it’s important to look closely at the words that were written. A good editor will systematically go through every line of a piece and I suggest doing this as well so any outstanding issues can be found like grammatical errors or typos before they become distracting in tone with other aspects of content. It is a tedious process that may seem difficult but when done properly these tasks should not take too long-just patience!

Take a break

https://pixabay.com/

We all know the feeling of staring at our computer screens wondering what we are doing with our lives. When you first start writing, it’s easy to get wrapped up in your thoughts and not see what is written. Stepping away from the document will allow for a fresh perspective that can help with improving sentence structure as well as creative issues like clutter or lackluster subjects.


Editing your own work isn’t easy but finishing the job by making changes on paper can feel satisfying. While most would argue that you cannot beat a professional editor here are a few online tools that can help any writer.

Online tools can help any writer

Online tools can help any writer

The content you create should be engaging, but it’s hard to do when there are so many other writers out in the world. Online tools can help any writer by automating certain tasks and giving feedback on quality through algorithms!

https://pixabay.com/

Plagiarism Checker

When you’re rewriting other people’s ideas, there is a chance that your output will contain copied lines from what was already published. This can cause severe problems for both the site and its author in later searches on Google if they are found plagiarizing content or taking credit without permission to publish the same thing again elsewhere. To escape these mishaps, all original research must be included within each article so it isn’t detected as duplicate reports across different webpages/publications, etc., which would lead directly towards penalties such as punishment including being labeled “plagiarized” by authorities like search engines like google who take very seriously their responsibility protecting the integrity. So, running your work through a plagiarism tool such as Quetext or Grammarly is worth it to avoid future headaches.

Grammar Checker

Humans are not perfect and it’s difficult to detect every single error from lengthy writings, which is why some people use online grammar checker tools such as Grammarly. These websites will check the content of your article for you; they’ll highlight words that disturb its fluency (i..e., make reading more challenging).

Virtual Notepads

With these tools, you can create ideas and notes quickly. The features allow for different font styles that are available on online platforms as well! You’ll be able to generate quality content with ease using the many options at your fingertips

https://pixabay.com/

Summarizing tools

These AI-based tools are great for condensing long articles into easy-to-read summaries. They’ll do it faster than anyone else could ever hope while still maintaining accuracy so 99% percent chance everything gets summarized correctly (and sometimes even more)! These AI-based computer programs crawl deep into the text; looking at every sentence individually before making their summary based on what really matters most about each point–which means less time wasted

When you are looking for a way to make your writing more creative and engaging, it’s time to consider using online tools. These can help automate tasks that keep writers focused on the task at hand while they’re working away in their favorite environment – whether it’s relaxing at home or sitting back with some coffee during lunch break! And if you’re just starting your writing adventure, check out 6 Writing Tips for Beginners – Serious Writer.

Brew & Ink Podcast – Interbrews 11 – Catherine Jones Payne

Brew & Ink Podcast – Interbrews 11 – Catherine Jones Payne

Oh no! Not editing! Writers dread the process, but editing is a necessary part of publishing a great book. Listen to the interview with Catherine Jones Payne of Quill Pen Editorial Services and her perspective as an author and editor and how a great professional extra “set of eyes” can change and impact a book.

 

In this episode:

Catherine shares her background and how she got into editing.

What does Catherine enjoy about editing?

Why does a writer need an editor?

What are the different kinds of editing?

Catherine shares about her own writing – mermaids, murder, and mayhem.

What are Catherine’s next projects?

 

Links:

www.brewandink.com

www.mbmooney.com

www.facebook.com/brewandink

www.billhawkinswriter.com

www.instagram.com/brewandink

www.instagram.com/authormbmooney

www.facebook.com/catherinejonespayneauthor

www.instagram.com/catherinejonespayne

www.catherinejonespayne.com

www.quillpeneditorial.com

 

 

nbsp;

From an Editor’s Point-of-View

From an Editor’s Point-of-View

Anna Floit, owner of The Peacock Quill, (sweetly named in honor of her grandmother) started with Tyndall Publishers, worked with Thomas Nelson (who is now with Harper Collins), and has continued to build her career with big name publishers and authors, as well as writers ready to indie publish.

She started working with Lifeway recently as an editor on one of their production magazines—the September issue of Home Life magazine. We’re thrilled to have her today on Writers Chat. Check out the replay, the links, and the paraphrased transcript below.

Macro vs Micro Viewpoints

Developmental substantive editing—“The Macro View” means making sure the work flows and makes sense, studying characters if it’s fiction, but that’s where the focus is on the editor’s end. Anna will also wordsmith it along the way to make it more clear.

Proofreading is “The Micro View,” which consists of grammar, punctuation, and line editing.

Fun fact: In her book Twirl, Patsy Clairmont credited Anna!

1. What sparks your eye in a pitch from a client?

Since I’m not an agent, acquisitions editor, or publisher, I’m not looking at a manuscript to see if it’s publish-worthy. My job is to make authors to look their best. At that point, it’s up to an agent or acquisitions team to see if the book is marketable. Whatever an author brings, I put it into shape.

If it’s a self-publishing author, I give suggestions from a reader’s perspective. I really believe everyone has a story and that every story matters. It’s my job to validate my authors. All I’m doing is spitting and polishing! I maintain my authors’ voices so it sounds like them and not me.  If an author uses the same word over and over, I teach them lessons on the thesaurus.

Work that I turn down is against my value system.

A lot of work is done through referrals, so there’s a bridge there. I also have an inquiry page on my website to help understand the project better.

2. How should an author choose an editor?

Understand the value of a great editor.

Editing is really time-consuming. I don’t think a lot of people understand the methodology that goes into it. Grammar rules change all time, like the comma before the word “too.” She versus her…the world would be a better place if people used pronouns correctly! Often the price reflects the time and knowledge.

NYT Bestselling author Jon Acuff recommends to spend your money up front. “You have the rest of your life to market this book, so spend the money on an editor.”

A lot of editors do charge for sample edits because those are working hours. A friend’s grandfather always said, “If you hire your friends, pay them more.” It’s such a different opinion than what most people do.

Anna says, “I change passive voice into active voice a lot, and then let my writers know why I’m making the change. ‘As a child, my dad told me…’ That means it happened when the dad was a child. It should read, ‘When I was a child, my dad told me…'”

Question: How do you know when you can use passive voice? Sometimes it’s the only thing that works.

Anna:
I try to change the verbs into active. Passive voice uses a lot of helping verbs and I try to get rid of them whenever possible. Sometimes they just work, though.

Know your audience, know the rules…but sometimes they can be bent to say something better.

3. If you’re working as an editor, how do you determine your rates?

Anna:
Usually there is a range. A developmental edit with research is more expensive than a proofreading edit. I go by word count because fonts, margins, and font sizes are all different. On the low end, $8 for every 250 words. On the high end, it goes to $14 for every 250 words. I can often pick up through email communication if the person is a good writer, or if the project is going to take a long time. I’ll look at a sample chapter to get an idea of their writing style. There are a lot of factors.

Working with a bestseller changed my rate. Just like an actor gets paid more after they win a Grammy, this is our craft, and we have to do the same thing as we grow.

For someone starting out, you want to make sure you’re within the industry standard. Maybe start at the $4 per 250 word mark for proofreading to get some clients under your belt.

The Writers Market Guide may have a rate schedule as well. The 2016 Writers Market Guide Deluxe Edition ebook is 75% off for a limited time.

BONUSES!!!

BONUS #1: Are there red flags that authors and writers should look out for when hiring an editor?

Someone who doesn’t:

  • Communicate
  • Listen to what you want
  • Pay attention to your voice
  • Show interest in you, just interested in having work

Anna:
I like to build relationships with my authors. I don’t use e-lance or sites where you’re someone behind a computer. I want to get to know the person I’m working with and be accessible. I do have guidelines in place. Even if I’m working around the clock, I don’t normally send emails outside of typical working hours so I don’t give the impression that I’m on call at all times. I don’t want to let anyone down if I’m not answering their emails at nine o’clock at night.

Expectations and communication are important, so if someone isn’t willing to do that for you, it could be a red flag.

BONUS #2: What is a blog editor and what do they do?

It’s typically around 500 words of copyediting—basically editing posts before they go live. It’s important to have a consistent voice and look polished. You may not be a writer but need to have content on your site. Having a professional editor look through your work can help clean up and find anything that’s missing.

BONUS TIPS

  • Format: 12 point, Times New Roman, 1” margins, Full Justified
  • Certain Rules and Guidelines: how to use numbers in a document (written out one through one hundred. After that they can be numeric.)
  • Don’t use all caps to emphasis. Use italics.
  • The Oxford Comma — having a list of more than two things. The Oxford Comma goes after the last item in a list. It eliminates confusion by having it there. Also called the serial comma.
  • No double spaces after punctuation.
  • Reprinting and republishing is really expensive, so try to catch everything on the front end. Anna recommends her readers hiring a proofreader after her to sweep up.